Saint Motel, Summer 2008.

10 04 2010

Originally published by The Land Salmon, RIP.

Back in May, I went to the Viper Room to see a friend’s band. They were opening for this gig called Saint Motel. I’d never heard them and wasn’t even necessarily going to stay for their set. But I ordered another Cuba Libre and posted up at the bar. Within fifteen minutes, I was about ready to rip off someone’s pants.

See, if Eddie Haskell had a band, it’d be Saint Motel. With the manners of choirboys and faces fit for Tiger Beat, they side swipe you with an insurgence of sexual prowess, quick quips and good ole’ rock and roll. Their music is fun indie rock with an incredible kick to the libido. They bring back that excitement of seeing a band live. They extenuate their sound with so much personality. From their pelvises moving like it’s 1953 in Graceland to their deer head décor, the music is an entire life force in and of itself. There is nothing better than buying a record you know the musicians love playing as much as you love listening. And there is nothing more dangerous than wisecracking seductive music makers that could be mistaken for teachers’ pets.

If all the contagious riffs and adorable bravado don’t make you think they’re some of the most savage musicians in town, maybe the fact they’re multi-talented will. Saint Motel was birthed at Chapman Film School, one of the top film programs in the country at a university that also housed acts like Collin Hanks and supposedly, Jodie Sweetin. So, not only are they pumping out provocative tunes but producing collections of comedic shorts. Basically, there is no escaping. They are going to charm their way into your life by any means necessary- audibly, visually or God knows how. They’re sneaky. They wouldn’t even give me their ages let alone their more devious plans to take over the world with online cat montages.

I know what you’re thinking: who are these multi-faceted, carnal creatures of LA’s indie scene? Well, first we have our film school founders: AJ Jackson, Jr (vocals, guitar) and Aaron Sharp (guitar, vocals). Then came Dak (bass) who they picked up at a sushi joint and G.S. Erwin who “approached us at a concert and said he was the right man for us.” They’ve been Saint Motel for a year now (after a stint in a band named Turkish Rocket) and released a limited EP while scoring gigs at South by South West and residencies in LA.

After a couple failed attempts to conduct a professional interview at a twenty-four hour diner and a strange, possibly French bar, we ended up classily picking up beer and sitting around my living room. I tried to pry some answers out of the alluringly ambiguous men and cleared up some misconceptions while they stuffed my dog down their shirts.

Interview after the jump.
Read the rest of this entry »





A Meandering Memo about Safari Sam’s, Saint Motel & Kids (Incorporated).

11 12 2008

So, last night I went to go see Saint Motel at Safari Sam’s. In case you didn’t know, because I sure didn’t, Safari Sam’s is now at the Regent in downtown. I don’t recollect much of the first one- I went to a Voxhaul show there a couple years back- but I kinda dig their new… digs. It just looks like a gutted theater on the inside (makes sense), the floor uneven and slightly slanted. There is an area with tables and chairs towards the back by the bar (apparently there is a restaurant there although I personally did not see any signs of food besides the meager $3 hot dogs classily advertised via printer paper / sharpie) and up front there was a ton of room for dancing, which I thoroughly enjoy doing after a couple rounds (oh, FYI: they don’t have ginger ale there, they’ll offer you Squirt instead [wtf]). The stage has a runway (there was a fashion show last night as well.. for whom I am uncertain, it wasn’t that interesting… hipsters wearing t-shirts with Bowie makeup… meh) so that was neat. We danced on it meaning I made an ass out of myself in front of a ton of people but hey, that’s what happens when you’re double fisting whiskey and Squirt (the line was wayyy too long to not order two drinks).

My only problem with Safari Sam’s: All Ages.

Remember how awesome All Age venues were when you were young enough to want to go to one? And remember what douche bags the kids that were old enough to go to any club they wanted were? Yeah, I’m that douche bag now. I don’t try to be a douche bag, it’s just sort of what happens when seventeen year old dudes are hitting on me, girls are screeching at one another, droves of entry level alts with their stares of judgment are burning holes in my fanny pack and I wake up with gum in my hair. YES, GUM IN MY HAIR. I have not had gum stuck in my hair since the third grade. Now I realize why places have age limits: because kids act like kids.

I just tried to find a video of Mama Fratelli in the Goonies when she says, “Kids… blahblahblah” and I found this gem instead:

Chuck E. Cheese + Jane Fonda workouts on video cassette = Kids Incorporated

Ahem, alright, so back to the point.
Safari Sam’s is pretty legit.
Kids are an aversion.
And someone in Saint Motel has cute penmanship.

Saint Motel's Setlist

I do not know how I ended up with their set list but I think a girl might have written it. What dude has that legible hand writing or can make such cute little hearts ?!
Maybe there is a “Hundred Acre Woods” font I’m missing out on ?





Jarring: Sveener and the Shmiel

11 09 2008

The Jam: David B. Sharp’s Sveener and the Shmiel

Take eighty minutes of dramedy. Mix with eccentric characters and stir in over one hundred and thirty special effects. Strain for skepticism. Sprinkle with whole doll limbs and psychedelic flashbacks. Serve with beer and cocopuffs.

Tastes a Lot Like: Jam that got fed-exed from your crazy ex-acid-freak aunt in South Dakota. There is no telling what it is made of, in fact it kind of weirds you out, but it hits the spot.

A couple weeks after my interview with Saint Motel was published, I was contacted to come review a film featuring the boys’ music. The film was David B. Sharp‘s long-awaited directorial debut, Sveener and the Shmiel. After watching the trailer, I really had no idea what to expect besides a very visually compelling feature. I mean, Sharp is an Emmy-award winning special effects artist.

But as I sat in the Cary Grant theatre at Sony, I found a lot more to enjoy of the movie than its ridiculous amount of effects- which range from practical FX to miniature effects to digital EFX shots. The story revolves around two brothers; the elder is the chronically downtrodden, angry and subsequently violent Sveener (played by Aaron Sharp) whose main responsibility is taking care of his mentally deficient but genuine and lovable younger brother, the Shmiel (played by Gavin Woodward). Much of the back-story is left to the imagination but we do know they live in a decrepit home together, completely littered with everything you can imagine- particularly an unusual amount of mannequins and baby doll parts which the Shmiel takes comfort in gnawing on- and don’t have jobs except finishing the rig they’re building in their backyard and hanging out in their unders, drinking copious cans of beer. Most of the conflict of the movie comes from the entrances of two love interests. Traci (played by Christine Woods) is another not-so-bright Crayola with a heart of gold with an affinity for chicken who leaves Shmiel smitten from the moment she freaks out in the stuck elevator. Just as Shmiel finds an object of affection, the crude Sveener gets deservingly shot down by Helen (played Demitra Tsioulous)- an opportunity-seizing con-lady with a noted rack. We are taken down the road with them both; Sveener, increasingly bitter about the Shmiel’s good fortune, gets swindled by the noxious minx Helen and delves into his inner psyche about his long running aggressive behavior. The Shmiel receives the love and acceptance he never got and is also able to reciprocate to a person in equal need of it- revealing an essential part of the human condition: the desire to love and to be loved.

I was especially taken by the sweetness of Woods’ performance. She was utterly winsome and earnest, melting my heart with nearly every poignantly childlike line. Her and Woodward’s performances were fabulous because as we all learned in Tropic Thunder:

Kirk Lazarus: Everybody knows you never go full retard.

Tugg Speedman: What do you mean?

Kirk Lazarus: Check it out. Dustin Hoffman, ‘Rain Man,’ look retarded, act retarded, not retarded. Count toothpicks to your cards. Autistic, sure. Not retarded. You know Tom Hanks, ‘Forrest Gump.’ Slow, yes. Retarded, maybe. Braces on his legs. But he charmed the pants off Nixon and won a ping-pong competition. That ain’t retarded. Peter Sellers, “Being There.” Infantile, yes. Retarded, no. You went full retard, man. Never go full retard. You don’t buy that? Ask Sean Penn, 2001, “I Am Sam.” Remember? Went full retard, went home empty handed…

Yes, they were implied retards but still relatable and entirely endearing.

The film as a whole is quite possibly one of the strangest movies I’ve ever seen. It had its confusing moments when the plot was slightly questionable but I was feeling something- either laughing or about to cry. And when I wasn’t immersed in emotion, I was sideswiped with flare-ups of special effects. If you can sustain the suspension of disbelief, you can become enveloped in the heartfelt characters as well as the astounding optical exposition. And then you also can bop your pretty little head to tunes from Saint Motel and Glen and the Sunshine Gang.

All in all, Sharp has effectively showcased his talents as a seasoned special effects artist while successfully branching into new territories all to a Silverlake-ish soundtrack. I say grab a j, your pals and blow your mind out on this trip of a flick.





Out Of The Pantry: Volume One !

3 09 2008

Jams for September

The days following Labor Day festivies are always kind of a bummer. Back to school commercials are running ramped and everyone is dispersing to the lands of their studies. It’s the return to the ol’ grind again. Even those of us who don’t go to school feel it. Fall will be upon us in no time. BUT ! Summer’s not quite over yet- it’s still in the nineties here in Los Angeles ! So, keep your chin up before you have to put your nose to the grindstone with this collection of jams for the last minute of summer. Keep on soaking up the sun and milking the nights for all they’re worth !!! Enjoy.

CLICK TO HEAR OUT OF THE PANTRY VOLUME ONE !!!

CLICK TO HEAR OUT OF THE PANTRY VOLUME ONE !!!

Four tracks were unfindable so check ‘em out:
#12. Pity Party by Saint Motel
#14. Pretty Hair by Human Highway
#16. Tattooed Bible by Voxhaul Broadcast
#17. Weekend by Dr. Dog

The mix is also mostly available on Itunes.

And don’t forget:
TOMORROW NIGHT WHY? @ THE ECHOPLEX !!!
If you can’t make it, expect full coverage from yours truly.





Interview with Saint Motel

29 07 2008

Saint Motel can summon the dead, yet never have.
Saint Motel never wears shoes, ever.
“You guys are all wearing shoes right now.”-MAR
“Because… Saint Motel has eleven toes.” –GE
Saint Motel was involved in a horrific accident involving a lot of toes.
Saint Motel likes to play good cop, bad cop… and Thai cop.
Saint Motel likes to go to water parks dressed to the nines.
Saint Motel likes chamomile tea… spiked with Jack Daniels (or Jim Beam).
Saint Motel don’t want no scrubs… but have been chasing waterfalls.

“Didn’t you guys think it was Jason Waterfalls?!”- AS
“No…”
Saint Motel has a cat-freaker-outer.
Saint Motel loves disco cats.
Saint Motel was ahead of the Bubble Burst in 1999, but didn’t have any stocks.
Saint Motel is sponsored by beer and co-sponsored by… other alcohol.
Saint Motel doesn’t want no dun-dunk-dun-dunk mothaf*ckas up in their grill.
Saint Motel was Saint Motel’s father the whole time.
Saint Motel did it.

a.sharp & my dog, zissou, during the epic living room interview.

for the entire interview check out
the land salmon . com.








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